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But as a huge music fan, I was dying to know the band. When
they said they couldn’t tell me, I asked if I could take a guess. I got “Mumford
& Sons” on the first try. I couldn’t say who the band was, but I put the
call out to National Trust Main Street membership. I got an overwhelming
response, which I culled down to about 80 viable options.
This year, I helped bring 30,000 people to two Main Street towns for the Mumford & Sons’ 2012 Gentlemen of the Road Stopovers summer
tour. It was simply amazing and overall a big deal for all Main Streets because
the guys are looking at Main Streets again for the 2013 tour! I have the full
story and tips for attracting the eye of industry scouts below.
In January I got a phone call from two guys asking about
great downtowns for a major music festival. I sorta thought, here we go again -
if it wasn’t a pitch for a Main movie, it was for a coffee table book. Thanks
to Google, I learned while we were talking that S2BN Entertainment and M Theory
were legit, major music industry players. And they wanted to bring a day-long
festival to a small downtown to showcase Americana and bring the tour to
special places.
This unnamed band wanted a vibrant downtown with older
buildings and cool local businesses. They wanted to celebrate the local history
(preferably a history involving bootleggers and gunslingers...that is sooo
British, no?) and local life (like farmers markets). This destination needed to
fit 15,000 people and have camping facilities and hotels and a willing partner to
help with police support, street closures, and permitting.
I was on board even before I knew the name of the band. The impact
this type of event could bring to a small town was huge in terms of spending,
visibility, publicity for Main Street, and validation that downtowns are
flexible and attractive destinations.
Stopover mustache icon appears on storefront |
Here’s what you’ll want to know – what was it about the
towns that got them on the short list?
1.
Meeting requirements and providing clear-cut
answers to questions. Some towns clearly
were stretching it and really couldn’t handle 15,000 people, or they spent so
much time “telling their story” that they didn’t give me enough logistical
information. Always answer the questions thinking that the reader is very busy
and doesn’t have time to weed through your response to get to nuggets of
information they requested. Short and sweet always wins – and this works for
grant writing, too.
2.
Curb appeal. You need gorgeous photos to sell
your town. It is worth the investment in hiring a skilled photographer. Don’t
send images of empty streets – that doesn’t convey vibrancy and instill
excitement. But know that today people don’t just look at photos. We looked on
Google Streetview and did web searches to try to get a realistic sense for what
the towns really looked like.
a.
Additionally, the money spent on streetscape
improvements and beautification pays off. You can’t just stick a bench next to
a potted plant and declare your town revitalized, but it is all part of the
package and effort to create curb appeal that leaves people with their first
impressions of your downtown.
3.
Rock star Main Street manager. The reputation of
the Main Street program was important to me. Did these towns have someone in
charge who has the city in his or her back pocket and who can make things
happen? If so, I felt comfortable having them represent the entire Main Street network.
The band’s tour dates helped
narrow down the list as we mapped out where we logistically could go. From
there, local promoters who would team up with S2BN and M Theory did site
visits. Some of those visits yielded towns that just weren’t quite there yet.
But the two that shined were – Bristol, Tenn./Va. and Dixon, Ill.
very cool gateway sign |
The band loved that Bristol has a
rich history in music (the 1927 Bristol Sessions marked an epic recording of
country music by Appalachian musicians such as the Carter family and Jimmie
Rodgers, putting the genre and area on the map), had a cool gateway sign, is
split into a Tennessee and Virginia side down the main street, and was filled
with amazing people. The town is totally charming with wonderful retail
businesses and a well-manicured street.
Dixon is about two hours southwest
of Chicago. There is a big high school that looks like a castle, which
immediately was adopted in the logo design for this Stopover. The local manager
is such a rock star himself that lots of people confuse him for the mayor. Best
of all, downtown is on a river and there is a bridge that takes people from the
heart of the downtown right into the riverside park where we set up the
festival.
Iconic castle that Mumford loved |
Both downtowns were incredibly
welcoming and the city and the business community did everything they could to
show that having Mumford and the other bands in town was a huge deal to them.
Both locations hosted street festivals on Friday and Saturday nights and local
business owners were thrilled with the sales. Bristol conducted an economic
impact study with the Virginia Tourism Council and found that the Stopover
brought $7 million to the state, with $5 million to Bristol. Holy cow, right?
When I stood on the side of the
stage and watched Mumford perform to sold-out crowds and thought, this is all
happening on Main Street; tears filled my eyes and I don’t think I was ever
more proud of this amazing Network.